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Showing posts with label Fundamentalism. Show all posts
Showing posts with label Fundamentalism. Show all posts

Sunday, September 7, 2025

The Missing Savior in Ken Ham’s Favorite Testimonies: Why Brand Loyalty Isn’t the Same as Gospel Transformation




Introduction

Ken Ham recently shared what he calls his “favorite kind of testimony” from his decades in creation apologetics ministry. (1) In his own words, the stories that “really tug at [his] heartstrings” are those in which parents tell him they grew up on Answers in Genesis (AiG) resources, and are now raising their own children on the same materials—children who, in turn, aspire to follow in his footsteps to become creation scientists or work in creation ministries.

On the surface, this sounds like a heartwarming account of generational faithfulness. But if we listen closely, something is missing. These testimonies, as Ham describes them, are not about people encountering Jesus, being transformed by the Gospel, or growing in the fruit of the Spirit. They are about the replication of a particular apologetics brand and the perpetuation of a specific worldview emphasis.

The Difference Between Gospel Testimony and Brand Testimony

In Scripture, testimony is consistently Christ-centered. The apostles could not stop speaking about what they had seen and heard (Acts 4:20)—namely, the life, death, and resurrection of Jesus. Paul’s letters overflow with gratitude for believers’ faith in Christ and love for one another, not for their adherence to a particular teacher or ministry.

By contrast, Ham’s “favorite” testimonies focus on:

  • The use of AiG materials as the central formative influence.


  • Career aspirations tied to defending a specific interpretation of Genesis.


  • Generational continuity of a ministry brand, rather than generational transformation in Christ.

This is not to say that apologetics resources are unimportant. Tools can be valuable in equipping believers to give a reason for the hope within them (1 Peter 3:15). But when the tools become the centerpiece of the story, the toolmaker—not the Savior—becomes the hero.

Why This Matters

When ministry leaders publicly prize brand loyalty over Christ-centered transformation, it subtly shifts the metric of success. The “win” becomes producing more adherents to a movement rather than more disciples of Jesus. Over time, this can:

  • Encourage believers to equate faithfulness with defending a narrow set of secondary doctrines.


  • Foster division in the body of Christ over non-essential issues.


  • Leave people vulnerable if the movement’s claims are later challenged, because their faith was tethered to an institution rather than to Christ Himself.

A Better Kind of Testimony

Imagine if Ham’s favorite stories were about people who:

  • Encountered Jesus through the witness of believers and the Word of God.


  • Experienced repentance, forgiveness, and new life in Him.


  • Grew in love, humility, and service to others—whether or not they became scientists or apologists.


  • Used apologetics as one of many tools to point others to Christ, not as the foundation of their faith.

That kind of testimony would still honor the role of resources and teaching, but it would keep the focus where it belongs: on the One who saves.

Conclusion

Ministries rise and fall. Movements shift. But the Gospel of Jesus Christ endures forever. If our “favorite” testimonies are about the survival of our brand rather than the advance of His kingdom, we’ve traded the eternal for the temporary. The true measure of ministry success is not how many people use our materials, but how many people know, love, and follow Jesus because of our witness.

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Sunday, August 31, 2025

The Ark Encounter’s Biggest Exhibit: A Double Standard

 



Introduction

Ken Ham has built his public ministry on a clear refrain: we must “stand uncompromisingly on the authority of God’s Word” by reading Genesis “as it is plainly written” and avoiding “adding man’s ideas” to Scripture. (1, 2) In Stop Trusting Man’s Word: Genesis and Compromise (DVD, 1:12:59), he says:

“Obviously what I’m saying to you is, what the church is doing is taking outside ideas [i.e., man’s word], adding to Scriptures… It’s undermining biblical authority.”

Yet this critical standard, it seems, does not apply to AiG itself — or to its own attractions.       

About That Massive Disclaimer…

Step inside the Ark Encounter and you’re met with a wall of text explaining that much of what you’re about to see is speculative or plausible artistic license. (3) And that disclaimer is there for a reason: the attractions are not a “plain reading” of Genesis, but a sprawling, imaginative reconstruction (one might even dare to call it an interpretation). The exhibits include:

  • Invented backstories for Noah’s wife, sons, and daughters‑in‑law — full biographies never mentioned in Scripture. (The backstories and additional details for Noah and his family featured in the Ark Encounter, including the names of the women on the ark, are actually drawn from a historical fiction series The Remnant Trilogy by Tim Chaffey and K. Marie Adams.)


  • A convenient profession for Noah as an experienced carpenter/shipbuilder.


  • An invented ‘antediluvian’ script — which is in fact nothing more than English recast in fictional glyphs, created by AiG graphic designer James de Leon and oriented right‑to‑left to echo Hebrew’s directionality.


  • Depictions of the antediluvian world featuring:


    • Dinosaur poachers wiping out triceratops herds for their horns.

    • Gladiatorial combat involving humans, giants, and Carnotaurus (a theropod dinosaur). (4)

    • Towering temples with child sacrifice to a snake‑headed god. (5)


  • Detailed engineering features — ventilation systems, waste disposal, food storage — none of which appear in the biblical account.

Many of these details and plenty more are on full display in this video tour with Ken Ham and Tim Chaffey.

What the Bible Actually Says

Here’s the entire construction brief for the Ark from Genesis 6:14–16 (ESV):

“Make yourself an ark of gopher wood. Make rooms in the ark, and cover it inside and out with pitch. This is how you are to make it: the length of the ark 300 cubits, its breadth 50 cubits, and its height 30 cubits. Make a roof for the ark, and finish it to a cubit above, and set the door of the ark in its side. Make it with lower, second, and third decks.”

That’s it. No blueprints. No linguistic lexicon. No backstories. And when it comes to the antediluvian world, Scripture gives us even less:

  • It mentions the Nephilim and “mighty men of renown” (Genesis 6:4) — a hotly debated passage worthy of its own article.
  • It tells us that “the wickedness of man was great in the earth” and that “every intention of the thoughts of his heart was only evil continually” (Genesis 6:5).
  • It records that God “regretted that he had made man on the earth” (Genesis 6:6).That’s the extent of the description.
In other words, none of the elaborate scenes above have any textual basis. The biblical account offers no details from which to build the fleshed‑out pre‑flood civilization depicted in the Creation Museum. Which means AiG had a blank canvas — and chose to fill it with a narrative drawn from a work of fiction (Tim Chaffey's Remnant Trilogy) and content tailored to fit modern sensibilities: endangered species, child sacrifice, violent entertainment, and pagan idolatry, all packaged as biblical history.

The truth is, the “biblical parameters” are so minimal that filling a life‑size ark and its surrounding world requires… well, a lot of filling. And AiG has taken full advantage of that creative leeway — while still claiming to uphold a “plain reading” of Scripture.

The Core Contradiction

When Old Earth Creationists, Theistic Evolutionists or biblical scholars use ancient Near Eastern context, genre study, or original language analysis to clarify Genesis, Ham calls it “compromise” and “man’s ideas” undermining Scripture. (6, 7) Yet AiG’s own attractions take liberties on a far greater scale — imagining entire societies, technologies, and character arcs from thin air.

The disclaimer doesn’t solve that problem; it highlights it. It’s an institutional cope: “Yes, we’re adding fictional content, but it’s okay when we do it so long as we give a disclaimer.” When others bring in outside knowledge to challenge rigid YEC readings, they’re accused of unbiblical thinking. When AiG adds dinosaur gladiatorial arenas and speculative ark engineering to sell tickets, it’s presented as biblically grounded ministry.

Conclusion: Why It Matters

Artistic license in itself isn’t the villain here — lack of consistency is. The Ark Encounter’s very need for a massive disclaimer is the silent testimony that AiG does not actually practice the “plain reading” standard it demands of others. They read between the lines whenever it suits them, and ignore those spaces when it doesn’t. That double standard doesn’t just weaken their argument against critics — it erodes the credibility of their entire stated mission. If Christian ministries can fabricate “facts” on the spot and present them as historical truth in a museum setting without a shred of historical or biblical evidence, they stand in the same credibility gap as Ancient Aliens or any other conspiracy franchise. Apologetics ministries must, to the best of their ability, stand on truth — even when it costs them clicks, tickets, or applause. Otherwise, they’re not defending the faith; they’re curating a theme park attraction. And the moment our defense of the Bible depends on bending the rules to draw a crowd, we’ve already abandoned the very authority we claim to uphold.


Sunday, August 17, 2025

Shiny Happy People Season 2: What It Gets Right—and What It Gets Dangerously Wrong

 





Introduction

The second season of Shiny Happy People pulls no punches in exposing the abuses of Teen Mania and the toxic dynamics of spiritual abuse within cults, alongside the dangers of extremist Christian Nationalism. These are necessary conversations, and shining light into dark corners is a biblical imperative (Ephesians 5:11). Yet, while the documentary succeeds in spotlighting abuse, it fails in key areas of representation, accuracy, and nuance.

Cults Are Not Mainstream Christianity

A cult, by definition, is a radical subsect that departs from the historic, orthodox faith it claims to represent. And Scripture openly warns against following such teachings (Matthew 7:15–20Acts 20:28–31Galatians 1:6–9; 2 Peter 2:1, etc.). Thus, the vast majority of Christians wouldand donaturally oppose both the false teaching and the abusive practices found in groups like IBLP or Teen Mania. However, the documentary often blurs this distinction, implicitly framing cult pathology as standard Evangelical belief—a serious category error.

This distinction is more than theoretical—it played out in real time. Teen Mania’s collapse wasn’t driven by outside pressure alone, but by Evangelical parents and churches who refused to tolerate abuse. When abuse allegations surfaced, families stopped sending their teens, cutting off Luce’s supply of money and bodies. The organization quickly imploded. That kind of grassroots accountability wouldn’t happen if Luce’s teachings and methodology were truly mainstream. His downfall wasn’t a failure of conservative Christianity—it was a consequence of it. Tragically, the Evangelical response came too late for far too many.

Historical Context Matters

The series misses a vital truth: it is itself a reaction. While it is right to respond to abuse (1 Timothy 5:19–20; Ezekiel 34:2–10), co-opting that righteous cause into partisan framing distorts the message.

Historically, fundamentalism arose as a reaction against modernist theology and secular philosophies emerging in the late 19th and early 20th centuries—currents that fed into eugenics, Nazism, and other destructive ideologies. The fundamentalists were right to reject these errors but wrong to retreat fully from cultural engagement (Matthew 5:14–16).

That retreat fostered anti-intellectualism, suspicion of science, and isolation—problems still visible in the American church today. Evangelicalism, in turn, emerged as a reaction to both fundamentalist withdrawal and secular dominance, re-entering politics and education to reclaim public witness. Understanding this backdrop is essential for grasping where Teen Mania fits within the larger story. Its roots were not planted in the broad Evangelical soil the series implies, but in a distinct—and theologically different—stream of Charismatic Revivalism.

Charismatic Revivalism is Not Mainstream Evangelicalism

While Teen Mania was marketed as an Evangelical youth ministry, Ron Luce’s formation and methods were steeped in Charismatic revival culture. A graduate of Oral Roberts University and mentored by leaders like Willie George in the Pentecostal/Word of Faith stream, Luce emphasized ecstatic worship, spiritual warfare, and revival‑style altar calls.

Importantly, this distinction isn’t merely an historical anecdote. Nor is it incidental. In recent years, the Charismatic branch of Christianity has faced a veritable pandemic of institutional cover‑up culture—one that protects high‑profile leaders, silences whistleblowers, and reframes allegations as “attacks of the enemy.” This dynamic empowers abusers by shielding them from accountability, while simultaneously demonizing victims as divisive or unspiritual for speaking out. The result is a community climate where image management is prioritized over truth, and survivors are retraumatized by the very systems that should have defended them. This pattern is especially visible within the New Apostolic Reformation (NAR)—a loosely affiliated Charismatic movement that emerged in the 1980s and 1990s, developing alongside but independently from Teen Mania. Sprouting from the same Pentecostal root as Teen Mania, the NAR elevates modern-day “apostles” and “prophets” as spiritual authorities with divine mandates to shape culture by advancing their agendas in the political sphere. (1) Though not a formal denomination, the NAR wields considerable influence in Charismatic circles, blending revivalist theology with dominionist aspirations. Its leaders often frame criticism as spiritual warfare, casting whistleblowers as enemies of God and positioning themselves as persecuted reformers. This theological posture not only enables abuse but sanctifies it—recasting accountability as rebellion and shielding perpetrators behind a veil of spiritual authority.

The political ambitions of the NAR further complicate matters. By fusing Charismatic fervor with Christian Nationalist rhetoric, the movement has helped normalize authoritarian impulses within segments of the church—where loyalty to “God’s anointed” supersedes biblical accountability, and political conquest is mistaken for spiritual revival. This convergence of theology, power, and image management has become a hotbed for abuse scandals, many of which remain unresolved or actively suppressed.

All that to say, shoehorning Charismatic Revivalism into mainstream Evangelicalism not only distorts the theological distinctions between the two, it also obscures the specific cultural patterns enabling abuse in certain sectors of the church. By using Evangelical(ism)as a blanket statement for conservative Christians, the series misses an opportunity to expose—and thereby help dismantle—an entrenched problem uniquely prevalent within the Charismatic movement, which it misidentifies as mainstream Evangelicalism.

Heightened Political Agenda

Compared to season one, season two is markedly more politically charged—an emphasis evident within minutes of the opening episode and fully revealed in the closing moments of episode three. By framing the conversation through a heavily partisan lens, the documentary unintentionally undermines its own credibility and alienates those who might otherwise listen. In failing to recognize the political and theological nuance within American Christianity—especially among Evangelical traditions—it risks fueling the very reactionary impulses it seeks to warn against, giving extremist branches of Christian Nationalism fresh ammunition for their crusade.

These groups will see the documentary as a radical leftist attack on conservative Christians—and not without justification. By collapsing complex theological and political distinctions—especially between Charismatic, Evangelical, and mainline traditions—into a single, monolithic movement, the film recasts politically engaged Christians not as diverse participants in civic life, but as a singular, existential threat to democracy. In doing so, it inadvertently validates the Christian Nationalists worst fears: persecution is coming, and the left must be stopped at all costs.

The casting of politically engaged Christians as a threat lays the groundwork for an even more damaging conflation: the blurring of lines between fringe extremism and mainstream Evangelical belief.

Blurring the Lines Between Fringe and Mainstream

The documentary presents cultic aberrations, conservative political commentators, and even Mike Bickle—a Charismatic leader facing his own abuse allegations—as if they represent mainstream Evangelicalism. In one telling example, it includes Ben Shapiro—himself a member of the Jewish faith—in a montage of “conservative Christian” political voices. Together, these choices fuel the series’ broader conflation of far‑right Christian Nationalism with Evangelicalism as a whole. This obscures reality: most Evangelicals reject both spiritual abuse and moral compromise.

Crucially, it is conservative Evangelicals who have been calling out Bickle’s misconduct and exposing the widespread cover-up culture within Charismatic circles. (2) By downplaying these distinctions, the series risks reinforcing public suspicion toward ordinary believers and undermines the very reformers working to confront abuse and restore integrity within the church.

This persistent blurring of religious and political categories sets the stage for the series’ most telling misstep: condemning oversimplified, us‑versus‑them thinking while indulging in it at its climax.

Condemning Binary Thinking… by Being Binary

Ironically, in its final act, the documentary critiques American Evangelical culture for being overly binary in sociopolitical discourse—then proceeds to portray conservative Christians as Christian Nationalists intent on dismantling the Constitution. At the same time, it presents those standing in opposition to “conservative Christiansas the ones trying to uphold democracy. The emotionally charged finale warns that Ron Luce’s teens are still at large, seeking to steal rights and freedoms. Its closing words—“they’re coming for you!”—abandon nuance entirely and commit the very fault the film condemns.

Repeatedly painting conservatives with such a broad brush, particularly in its closing minutes, reveals a deeper failure by the documentary to distinguish between thoughtful critique and sensationalist caricature. Its a lapse that unintentionally undermines its credibility and blurs the line between analysis and alarmism.

The Polarization Problem

Rising Christian Nationalism is not occurring in a vacuum. American politics has grown sharply polarized, with extremes pulling both left and right. Many Christians, fearing the loss of religious freedom and constitutional rights, have too easily conflated loyalty to Christ with loyalty to a political party. Conversely, more progressive elements in American society fear that far‑right Christian Nationalists seek to strip away their rights and impose a theocracy—with the same intensity that their conservative Christian counterparts fear the radical left. This environment allows opportunists to drape themselves in Christian language while pursuing unbiblical aims, and an undiscerning electorate may back them out of fear rather than conviction.

If civic participation by Christians is itself taken as evidence of Christian Nationalism, then by the same standard, any group seeking political representation for its convictions could be cast as pursuing an equally extremist agenda. Such a definition collapses legitimate engagement into the very extremism it claims to oppose.

Conclusion: Where the Documentary Succeeds—and Where It Fails

The documentary is right to expose Ron Luce and Teen Mania—and my heart breaks for the victims. The church must protect the flock from wolves and minister to survivors of abuse. But by framing its critique in politically polarizing terms—without drawing clear distinctions between cults, Christian Nationalism, and the Evangelical mainstream—it risks reinforcing fear and deepening division.

Worse still, the documentary replicates the very rhetorical offense it condemns. Teen Mania manipulated the emotions of vulnerable teens to advance Ron Luce’s personal ambitions; the film mirrors this tactic, weaponizing the pain of survivors, the public’s outrage, and the audience’s righteous indignation to drive a partisan political agenda. By presenting the broader community of conservative Evangelicals as “guilty by association,” the documentary delegitimizes—and at times demonizes—millions of believers who reject Christian Nationalism, cultic theology and abuse. This does not honor the victims of Teen Maniait exploits them. Their suffering becomes a prop for scoring political points rather than a summons to meaningful reform or healing.

The bottom line is this: truth and accountability are biblical mandates. So are accuracy, charity, and nuance. If we fail to distinguish between the false shepherd and the faithful one—between fringe movements and the historic faith—we not only misrepresent the truth; we risk becoming the mirror image of the very problem we are trying to solve.